The Shadow asked for more poetry, and has been patiently waiting all this time. Now that the portfolio has been submitted, I may have a few things worth posting. Here are the three poems I read at the P&P reading on Friday evening, in order of their reading. Enjoy, and as always, tell me what you think....
Facts from 1066 A.D. combined with phrases from Beowulf and the Bayeux Tapestry
No seeing for truth now, blindly sensing pith,
Words past their parsing, smoke by sky devoured.
Sea-serpents scything through our land until
Roads, hedges, fences, boundary-stones are broken.
Our rooted rhythm, sea-broad, sky-deep beginnings
Ripped up, this history cracked on carrion earth.
One wailing woman at the warrior’s pyre
Cries, “This is beauty’s death!” and slashes hands,
Lament the buried gold, words buried deep
With kings when others stepped onto our land
Claimed gold for own. We heaped the mound ourselves,
Burnt till the fire had broken frame of bones,
Hot at the heart.
Yet one courageous knight cried, Who will stand?
Where Harold pledged himself to Duke William
Here King Edward addresses his faithful ones,
A stump still standing on the buried cache,
A language bearing leaves veined with old gold.
This tapestry has not been unattached,
The land is ours, and we will seize it soon
From ocean’s dragons with Word’s shining swords.
Tulips
From the second movement of Beethoven’s seventh symphony
And buried secrets there, our last few days—
Days drunk with blue, red, sumac-brown.
This fall has hammered once-green trees to gold,
While we have waited in this quiet house,
Rooms hollow, table bare, the bookshelves cleared,
Last August’s zinnias molted in the garden.
I watched the hawks leave while my stiffened hands
Bleached white from clinging to the windowsill,
Unflinching though splinters slashed through my palms.
Then our last afternoon we spent planting
These tulip bulbs, their skin on our chapped hands,
Each peeling bead interred in its own hole,
Roots like your curls drowned deep in sunburned earth.
We stood, our autumn dead beneath our feet—
Farewells, a pavane in the liquid air.
Then I set out, Jason through golden trees,
To roam in discontent in search of all
I’d lost—these days, our innocence, her hands
On the piano, faces in the lamplight.
Glass ship, I voyaged, beat against the sides—
Chained hands bled shattered bone. Trapped Tantalus
Between light sky and floorless green I hung,
An endless traveler, no threshold crossed.
Each time I grasped for home, myself was turned
Into another summer corpse, whirled down,
Thick pile of frozen veins caught in the grass.
But you stayed here, though peace had peeled away,
Bark snapped by ice. You saw the trees relit—
Promise I should have known, for what is sown
In autumn’s tatters and this paper skin
Reblooms in scarlet, vivid, unabashed—
When we are sown, then we shall bloom again
Unshattered like these tulips in May sun.
I really liked the last couple of lines of "Hastings: A protest"
ReplyDeleteIs the protest in reference to Protetstants?
We may have to ask for an explanation of the other ones, for truth be told, I'm baffled :(
Thanks for posting those by the way!
Unfortunately, he's right. I can't understand them either. O_o
ReplyDeleteAnd pardon my phraseology, but I grew up with Dr. Seuss and am not very familiar with those other kindsa poetry. Do you think you could explain why or how or something about the other types? :)
This comment has been removed by a blog administrator.
ReplyDeleteUnfortunately, he's right. I can't understand them either. O_o
ReplyDeleteAnd pardon my phraseology, but I grew up with Dr. Seuss and am not very familiar with those other kindsa poetry (I wonder if Dr. Seuss even counts as poetry in your book...), so do you think you could explain why or how or something about the other types?
Unfortunately, he's right. I can't understand them either. O_o
ReplyDeleteAnd pardon my phraseology, but I grew up with Dr. Seuss and am not very familiar with those other kindsa poetry (I wonder if Dr. Seuss even counts as poetry in your book...), so do you think you could explain why or how or something about the other types? :)
OOPS. Serious equipment failure.
ReplyDelete:D
(I liked the last one better than the others)
OOPS. Serious equipment failure.
ReplyDelete:D
(I liked the last one better than the others)
OOPS. Serious equipment failure.
ReplyDelete:D
(I liked the last one better than the others)
OOPS. Serious equipment failure.
ReplyDelete:D
(I liked the last one better than the others)
OOPS. Serious equipment failure.
ReplyDelete:D
(I liked the last one better than the others)
Thanks for posting these poems. I get more out of them each time I read them. “Hastings,” for example, I think I’m just now beginning to understand. I’m going to try to interpret it, and you can tell me if I am quite off the mark.
ReplyDeleteThe historical events and the mythological figures seem to be metaphors for how the modern approach to literature (which I am going to call “postmodernism,” although I am not sure that is the right term) threatens beauty and meaning. There is “no seeing for truth now,” no ability to examine words rigorously – the postmodern approach blinds readers. Postmodernism is destructive, too: breaking down useful distinctions the way that war wrecks “roads, hedges, fences, boundary-stones,” and destroying order (“our rooted rhythm”) and beauty (“this is beauty’s death!”).
Thankfully, the treasure of language is not destroyed, it is only “buried deep.” The field of literature does not rightfully beong to those who reject meaning and beauty. They are standing on borrowed ground which one day will be reclaimed!
A very exciting message, and I enjoy the music of the poem too. The alliteration reminds me of Beowulf. And there is a pun in the phrase “Bayeux unfinished.” When you read it aloud, I heard “by you unfinished.” This poem is more than a protest; it is a call to arms. We need to continue the fight for meaning, with the Word (the sword of the Spirit) as our weapon.
Keep up the good fight!
Very good Rachel! Thanks. I only figured out part of that.
ReplyDeleteThese were so beautiful! I'm amazed at how you work, even in the confines of your poetry-wrecking professors.
ReplyDeleteKeep up the good work, I'm really enjoying it.
apologies. :O
ReplyDeleteI'm having difficulties with the connection.