Warning: Long post ensues.
This morning Rachel and I ate breakfast together. After breakfast, I spent the time until Major British Writers studying. In MBW, we discussed critical reactions to
Wuthering Heights. Most of the reviews we read (which were from the 1800s) were by people who thought that the book was wild and dismal and unpleasant (a sentiment which I heartily endorse :). Next came archaeology. The professor has been showing us slides of surveys he's done in British Columbia and Oklahoma. An archaeological survey divides a space of land into patches, and then people go out and walk over those patches to see what they can find that's of archaeological value. Since anything over fifty years old is classified as a site, this can range from old oil wells and cemeteries and homesteads (in Oklahoma) to prehistoric, donut-shaped houses and hearths (in British Columbia).
I practiced my flute for an hour after archaeology. I'm working on the "Cantilena" from the "Sonata" by Poulenc. It's the second movement--slow, meditative, airy, delicate. Like the traceried shadows that sunlight throws through a magnolia tree on a stone wall. It's very difficult to follow the arabesques of the phrases through. They start down low, in the octave of middle C, and climb all the way up to the octave that's two or three above middle C, then back down again--quite a leap, and all pianissimo, which makes it even harder.
The cafeteria was very busy when I went in for lunch. I ordered a dubious grilled turkey sandwich from one line, with a generous portion of French fries. The bananas were all brown, and the apples looked sickly, so what with one thing and another, my lunch consisted of a spinach salad (hastily tossed together from the salad bar), a few French fries, a glass of milk, and three-quarters of the turkey sandwich, which oozed pale cheese and buttery grease whenever I bit into it. I sat with a bunch of acquaintances, Nicole and Alex among them, and listened to them talk.
After lunch, I worked on my Honors presentation and on rewriting my paper about "The Lady of Shalott". When I showed my paper about "The Lady of Shalott" for MBW to Dr. F on Monday, she gave me some helpful comments about it, and so now I had to go back and revise it extensively. I cut out a bunch of nonsense about women, and just focused on the symbolism of the Lady of Shalott as a metaphor for the poet--which, in my opinion, is also rather far-fetched, but nonetheless interesting to examine.
In Honors class this afternoon, everyone was supposed to present a short talk about their community. Since we've been reading
The Rule of St. Benedict, we're each supposed to come up with a community that shares some aspects and rejects other aspects of the Benedictine community. The first one to present was a young man whose community consists of an inner-city ministry. The goal of this "ministry" is to be as diverse as possible, and to expose young people to as many different cultural and moral options as possible. (Rachel and I, discussing it later, wondered if this would only confuse the "at-risk" youths even more.) Next came a young woman whose community was to be a loose group of artists who would work in rural areas, promoting the arts in poor schools.
Then came Russ, whose community consisted of soccer-playing monks. (Yes, he created quite a stir with this.) He was quite forceful and articulate, though, so he managed to convince the class after awhile that his community wasn't quite as ridiculous as it sounded. After that was Nicole, who talked about a community devoted to the study of political science (her major). It was basically a microcosm of the university, as she said herself. Finally was a boy who set his community in a post-nuclear-fallout America. His community of militants, similar to the Knights Templar, existed to protect poor farmers from bands of redneck raiders who were going around, robbing the countryside of what few resources it had left.
Neither Rachel nor I had the chance to present, but after class, we stayed a little and talked with Dr. A. Unlike everyone else, Rachel actually planned to deconstruct a community--to discuss how marriage cannot exist in a Benedictine setting because the loyalty and unity between husband and wife overrides the loyalty to the community.
I worked on my presentation for an hour after Honors class. There were several gaps that Dr. A had brought up as she critiqued the other students, asking questions and poking holes in their communities, which I thought best to clear up before she saw my community on paper (we're supposed to turn our presentations into essays). After the hour was up, I walked back over to Chapman Hall to visit Dr. A during her office hour. She was fifteen minutes late, and I stood in the narrow hall, listening to the secretaries gossip, and hearing a professor down the hall ordering home insurance, while another professor bustled past with reams of paper.
When Dr. A arrived, we had a good discussion in her office. She has a small office, with a high ceiling. It's dark and cool, like a cell, with floor-to-ceiling, east-facing windows that look out on the sunwarmed wall of the Business Administration Hall next door. She's so little and wrinkled, with such small, dark, sleepy eyes that I'm always surprised by her willingness to talk with me. Somehow, we started to talk about Augustine and creativity. "I often find, as Augustine does, that there are ideas in me, things I knew, but never fully grasped," she said, referring, I think, to Augustine's ideas about memory and the mind. She told me that she writes poetry, though she's never published it, and that one of her friends recently chastized her gently for not publishing because that's sort of the "final step" of the creative process for some.
We did talk about my community, and she helped me with solutions to some of the problems that I'd seen in the practical aspects (government, daily chores, teaching positions, etc.). The community I came up with is a community of writers who both teach and do research and writing (creative and scholarly). So I had to figure out a way for the members of the community to balance teaching with writing. Dr. A said that there's a couple at the University who split a position: the husband teaches one semester, and the wife teaches the next semester. That way they both have the opportunity to work on their own personal research and writing, as well as doing teaching. She also said that there's a woman who teaches a semester at the University, then takes a semester off to do her own research elsewhere (the woman is pretty famous, so she manages to live, though frugally, on her salary from one semester). Somehow, our discussion branched onto our own writing habits. Dr. A said that she's very particular, when she writes. She's found that she has to be in a certain place, with certain things around her: "It's hard to work creatively in a room full of dissonance." I complained about finding it hard to write in my dorm room, which feels sterile in comparison to my room at home, with all its books and pictures.
I walked back to my room, blue sky above and greening grass under my feet, my hair bobbing in waves against my ears, tossed by the wind, which smelled like smoke today.
I worked on my Honors paper and MBW paper until supper.
Supper tonight consisted of pizza downstairs in the Lottie lobby. A.C. was there, and I sat near her. She told me about a business project that she’s doing with another girl. They’re supposed to take a country, analyze its culture, and sell a product there. She’s doing
Sweden. She said that she identifies with the culture there more than anywhere else. She plans to sell hiking boots since the Swedes, having been locked up indoors for the long winter, spend all summer doing activities outside. I munched my pizza and listened. The hot cheese scorched the roof of my mouth. After A.C. left, Alisha, Esther, and Jenny came in. I sat with Esther and Alisha on the floor. We talked about Esther’s exams last week, and Alisha asked if I was enjoying RBL. I grinned and said, evasively, “
Tara is.” Both Esther and Alisha laughed. “It’s not really my particular interest,” I explained, “It’s so ridiculously
melodramatic.” “What sort of literature do you like better?” inquired Esther. “Anglo-Saxon.” “Oh. Do you like ‘Beowulf’?” asked Alisha, making a face. I tried to explain “The Seafarer” to her as something she might like better, with its theme of finding peace in God. Jenny sat down with us. She twisted her ankle last Sabbath playing basketball, and now it’s swollen twice as big as it should be. She refuses to put any ice on it, though. She sat and laughed with Alisha and Esther about Art and Coffee (RUF talent night) this weekend. She, Spencer, and the two Davids are doing a dance together that (apparently) is supposed to look really weird and really funny.
After supper, I read Christina and Dante Gabriel Rosetti for MBW. A.C. knocked on my door and bounced in right before I had to leave for Bible study. We sat and chatted for a little while, nevertheless. She talked about her project, and about how few friends she’s had—only two, in her whole life. One of them was a Japanese-Swedish girl at her boarding school in
Sweden; the other is a girl on the golf team here. As we parted, she said she’d stop by later—she wanted to hear me read one of my poems.
Downstairs in the lobby, I found Jenny, Rachel, Stephanie, Syneva, and Kathryn sitting and laughing and talking. Jenny was giving them a demonstration of her dance, and when she’d finished, she romped off to the lobby, where one of her friends was listening to air-headed rock from the 1980s and hopping around energetically. Their slaphappy contortions fit the happy-go-lucky, pie-in-the-sky music, with its jingling synthesizer and breathless vocals. (I’m not sure I would call what they were doing dancing per se.) I watched them through the door, laughing silently as they wiggled their hands in the air and jigged about. “C’mon, E--, you know you want to dance!” Jenny called. “Yeah, I want to dance, but not like that,” I laughed back. I sat by Kathryn and Rachel on the bench in front of Mrs. Lottie Jane’s portrait, and asked Kathryn about her home in Houston. Kathryn a small girl with glossy, wavy dark hair, dark eyes, pale skin, and a petite turn of speech—whenever she speaks, she curls her lips, like a kitten’s. Her mother is a church secretary; her father is a personal resources manager for a company. She said that when she moved up here, the pace of life was very different, and it’s taken her awhile to get used to it. She told us that, in the airports here, everyone is really nice and unassuming, laid-back, friendly. There’s hardly anyone in the airport, and the people who are in the airport don’t seem to be going anywhere in a hurry. In Houston, by contrast, the airports are full of people rushing to and fro at great speed, trying frantically to get where they’re going.
Syneva led the study tonight. Before the study, Syneva asked us all if we’d been watching the Olympics. A few of us had, though most of us, like typical college students, are pretty oblivious of what’s going on in the outside world. Jenny asked questions about curling, which she’d never heard of before. “I saw them pushing this thing over the floor, and I thought they were just cleaning the ice!” Anne said. “Yeah. It’s definitely not an American sport—no contact. It wouldn’t go over very well in a country where people like to hit each other whenever they play sports,” Jenny commented.
After Bible study, I showered. Once again, I was writing in my journal when A.C. interrupted me. She was in her blue fuzzy bathrobe, and said she’d just come by to say good-night. But she really wanted to hear a poem. So I invited her in, and she sat down, resting her head on her elbows. I scanned my files and finally settled on “Psyche Before the Gods”. I performed it as best I could, though, since I was reading from the computer screen, I couldn’t face her directly, and so some of the impact of the poem was lost. When I had finished, she smiled at me sleepily, and said, “It’s good.” She sat and stared at the poem on the computer screen for a long time. The room was silent. I rocked gently in my chair, wondering what she was thinking of it all. Finally, she sat up. “Sometimes things can inspire us so much that they become works of art,” she said. I looked puzzled. She paused. “I can’t believe how much you believe in this. I don’t understand,” she said at last. “Well, I don’t do anything. He works in me. I didn’t choose Him. He chose me,” I replied quietly. She nodded drearily and went back to staring at the poem. “It’s really good,” she said finally, and then invited me over to her room to read a paragraph she’d written. If she was a modern writer, she’d probably call it a prose poem. I read it over her shoulder on her laptop. It was titled “Oblivion”, and sounded cold, hard, and desolate. The imagery was all brittle, vividly surreal, reminding me of Picasso and Dadaists. Then, jokingly, she flinched aside from the exposure of her writing and showed me some poetry about golf that she’d found on the internet, by Andrew Lang. She read some of it out loud in a humorous, mock-Scottish accent, substituting the Spanish rolled “r” for the Scottish burr.
She hugged me good-night. I returned to my room for devotions and bed.