Laura, Lindsay, and I watched The Pianist this evening. Now I want to listen to lots and lots of Chopin, and maybe Beethoven's "Moonlight." A gut-wrenching production, though not quite as intense as Schindler's List. Having seen both those films, I think I'm finished with World War II tales for a little while.

Every time I watch a World War II film, it makes me wonder what would happen if that were to happen here, now, again--what we would do, what would become of us--not just our society as a whole, but my small network of friends and family. A natural reaction, I suppose. The images of burned-out, bombed buildings make me shiver with the closeness of such a happening. I look at my cozy townhouse and know that one packet of explosives would reduce it in a few seconds, adding it to that landscape of past and future ruins.

Laura and I were musing after the film about how World War II really isn't that far away. It still looms over our cultural landscape, even as other wars have begun to replace it in immediacy. I sometimes think that the Holocaust is the nightmare of academia, and that that is what drives gender and race studies--the fear of such brutal discrimination returning.

For most of my class of freshman composition students, though, World War II may be much more in the shadowy past. Laura has a great-grandmother who endured the war in a concentration camp in Latvia; I have a grandfather who was at Normandy. Losing that generation will mean losing perspective. Even though films can't capture the horror of that war, at least they force me to remember what is at stake when something like that arises again. And they prompt me to be thankful for the comparative peace I enjoy now.